‘Penari Angin (literal translation: Wind Dancer)’ is the stage name of this folk and performing artist who has sign language ability. With fluency in communicating with the Deaf community, Rezky advocates for disability issues and assists deaf people in legal situations, particularly harassment cases involving deaf women. Rezky initiated inclusive arts community 4Titik (literal translation: 4Dots), a space for expression and community education on disability issues, with their colleagues in Makassar.
Peretas, short for perempuan lintas batas (literal translation: women crossing boundaries) works through ands toward the politics of feminist solidarity among women art workers in Indonesia and beyond. The Indonesian word “peretas” means hacker, which renders our spirit to socially hack the stereotypical definition and hegemonic construction that confine women. In our collective endeavours, we navigate with an intersectional perspective to expose the plurality of women subjectivities that cross and disrupt borders between nations, races, ethnicities, classes, sexualities, religions, and disabilities.
Peretas’ programs aim at supporting the making of productive and reproductive spaces for women art workers by organizing Peretas Berkumpul (our annual assembly), research projects, book publications, and public discussions. Through these activities we hope to engage with the expanded notion of arts and culture, which move towards social transformation and knowledge distribution instead of centralizing in creative industry productivity-driven or individual career. Our organizing practice involves critical knowledge-commoning, care work, democratic dissensus, artistic sensibilities, and radical imagination to nurture safe space and speak up against dominant power.
Peretas logo is designed by Cadrilla Bareno (2019).
The English text version in this website is translated by Kezia Alaia (July 2020).
All contents in this website are published under Attribution-NonCommercial 4.0 International Licence.